Image   Heike Bracklow Anima 2

Visit to Heike Brachlow's Studio Complex 

Tuesday 29th October, at 2 pm.

Parndon Mill in Essex provides workspace for artists, craftspeople, designers and architects who have the opportunity to share ideas and use their different skills to collaborate on creative work.

Born and raised in Munich, Germany, Heike Brachlow received her BA in glass 2004 from the University of Wolverhampton, her MA in 2006 and her PhD in 2012 from the Royal College of Art in London. She primarily works as a self-employed artist from her studio at Parndon Mill, and as an educator and lecturer, teaching at the Royal College of Art and institutions such as the Studio of the Corning Museum of Glass and Pilchuck Glass School. Heike will speak to our group about her approach and technique of cast glass sculpture. Her assistant glass maker, Joshua Kerley, will then explain his approach to kiln formed glass.

As the gallery will be holding their annual glass exhibition throughout October (http://www.parndonmill.co.uk) we will be able to see the creativity of other artists.

Refreshments, unfortunately nothing is available on site but the Moorhen Pub and Grill ( Burntmill Ln, Harlow CM20 2QS) is close. Overnight visitors could be accommodated at the Marriott Hotel, Hanbury Manor which is 20 minutes away.The cost is £5 per member, £7.50 for non-members payable to Ian Gouldsbrough on the day. Ian is a member of the Glass Society and recently joined the committee.

Register your attendance with Ian on iangoulds@gmail.com

Any questions either Email Ian or contact him on 07884 003121     Parndon Mill is within walking distance of Old Harlow railway station

Image Heike Brachlow - Theme

FULL DETAILS of THE VISIT

The Glass Society AGM and EVENT

Saturday 12th October 2019

at Norwich Castle Museum and Art Gallery

This year's AGM will be held in Norwich at the Castle Museum, an interesting and historic venue right in the centre of the city.

             Norwich has many attractions and you might wish to make a weekend of it. The Sainsbury Centre is well worth visiting.

Hotels and other accommodation may be found at www.booking.com.

        If you are staying over, we can arrange dinner for everyone on the Saturday Evening.   If you are  interested in joining us, please let us know on the booking form on the reverse or email Maurice Wimpory.**N.B. there is no charge if attending the AGM only.

PROGRAMME

David Reekie is an eminent English glass sculptor who uses drawing and glass casting to express his unique vision of the human condition. His art can be found in the Victoria and Albert Museum in London and the Carnegie Museum of Art in Pittsburgh, as well as in several other public collections in the United Kingdom.

Statement: 'My work is influenced by our reaction and adaptation to the society that surrounds us. We live in a world that grows more complex and difficult to comprehend. It has tensions and temptations that pull us in different directions. This creates characters and situations that provide a constant source of material from which I take my ideas.'

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www.cambridgeglassfair.com

07887 762872

Matters of Ambivalence : Aspects of glass in Ancient Rome and The Middle Ages - Dedo von Kerssenbrock-Krosig

The problem with glass seems obvious: On the one hand it is a shining, beautiful and precious material, and on the other hand it can break very easily. It is a material that triggers opposing feelings of admiration and fear. In presenting a small number of Roman and Medieval written sources, further aspects of the ambivalence of glass will be shown, which offer a richer image of the meaning of this material in the respective periods.

Dr Dedo von Kerssenbrock-Krosigk is Head of the Glasmuseum Hentrich, Düsseldorf Kunstpalast Museum; he was Curator of European glass at The Corning Museum of Glass from 2004–2008.

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Elisa Paola Sani:

'Glass hanging lamps and their use in Renaissance Italy'

 Glass hanging lamps or cesendelli, the name found in Venetian documents for such lamps of glass or metal, are extremely rare survivals and less than a handful of examples are known.

 The author will investigate their function, stylistic development and uses by looking at contemporary paintings and surviving specimens in museums and private collections.

 Elisa Paula Sani is a Research Fellow at the Courtauld Gallery; she has previously worked at the V & A, Wallace Collection, and private galleries.

Full Details 

Glass Society

The Glass Association and The Glass Circle  Tuesday, 9^th April, 2019

Bring and Tell

Members are invited to bring an item from their own collections for discussion, with a panel headed by Simon Cottle, in place of the advertised talk by the late John P Smith, former GC Chairman.

FULL DETAILS

Qing glassware is unique in that its production was managed by European missionaries under the direct patronage of the Chinese emperors. This fact is documented in both Chinese and European historic records. Even the location of the glass factory is known.

In the early 2000s the Palace Museum, Beijing, took stock of the glassware in their stores and published an illustrated catalogue. With that as a reference point Chinese glass in public and private collections worldwide can be compared and a better understanding of this branch of Chinese art has been achieved.

Ming Wilson has been Senior Curator at the Victoria and Albert Museum until 2018. She is now Honorary Senior Research Fellow.

Vase, layer-cut glass, Qianlong reign period (1736-95)    V&A C.1525-1910

Meeting Place : The Art Workers’ Guild, 6 Queen Square, London WC1N (Gradidge Room, first floor – please give notice if you need help with mobility)        Time:  The lecture will start promptly at 19.15.   Coffee and light refreshments are provided from 18.30.      The meeting will finish by 21.00       NB We need to know if you will attend the meeting for numbers restrictions, for catering or unforeseen changes.   Please inform Anne Lutyens-Stobbs, Meetings Organiser, 8 Millers Croft, Gt Baddow, Chelmsford, CM2 8JL, tel. (01245) 604518 or email: annelh60@hotmail.com by Tuesday 12^th March, confirming The talk you wish to attend;

The number of people coming at £10.00 (Members; Guests £15.00 each).  You may pay cash on the night, a cheque made payable to The Glass Circle, or directly into the Circle’s account in which case please inform in advance you are doing so.

Next Meetings: Tuesday 9^th April  Thursday 9^th May       Queen Square lies between Southampton Row and Gt. Ormond St. It can be reached by Underground using either Russell Sq. (Piccadilly) or Holborn (Piccadilly and Central). Buses 68, 91, 168 and 188 run along Southampton Row and 19, 38, 55 and 505 along Theobald's Rd. Access by car is one-way only: take the first turning to the left off Theobald's Rd (after the junction with Southampton Row) into Old Gloucester St which continues into Queen Sq. The Artworkers’ Guild is half way along on the left. The congestion charge finishes at 6 pm. Cars may readily be parked in Queen Square after 6:30 free of charge.

Christopher Dresser (1834 –1904) was a designer and design theorist, now widely known as one of the first and most important, independent designers. 

He was a pivotal figure in the Aesthetic Movement and a major contributor to the allied Anglo-Japanese or Modern English style, both of which had long-lasting international influence.

FULL DETAILS & BOOKING FORM

GLASS ASSOCIATION AGM AGENDA

GLASS ASSOCIATION NOMINATION FORMS

GLASS CIRCLE AGM AGENDA

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